(Updating the) Project Description
The BodyBuilding Project is a shared inquiry into the sensibilities, subjectivities and relational capacities we, as interdependent beings, might beneficially develop in response to the planetary urgencies we currently face. It encourages us to reimagine the propensities currently identified as “human”, and to begin building bodies capable of prefiguring life beyond our collapsing horizons.
This paragraph is the conceptual layout. At the moment, it is extremely dense: it attempts to describe both the aim and context of the project in a few short sentences. Originally, the description was much longer and more detailed: it described the manifold crisis condition we are in, as well as our relation towards it. Also, it focused on the somewhat pompous idea of us being able (or at least willing) to develop ways of imagining a future for us as a species, and to propose ways of getting there.
In the current version, the crisis condition is already taken for granted, as if it was something everyone was familiar with; also, the idea of us launching ourselves towards a possible future has been dropped. The emphasis is on the reimagination and reevaluation of the human, which seems to be at the core of the project. It is fundamentally a speculative project, and thus remains continuously on the move, on the verge of the possible. The open speculation enables the integration of various, possibly contradictory elements and attitudes into one whole, which seems to be important for us; even if we share the same values, our approaches and ways of relating to both the project and the questions it is addressing are different from each other.
The project consists of a perennial artistic research process and a series of public events created collaboratively by a growing body of artists, theorists and practitioners. Our aim is to develop a series of embodied practices that can be sustained both individually and collectively and transmitted in a variety of ways.
This paragraph is very practical and concrete, which makes it both necessary and enjoyable. The concrecy can manifest in various ways, and develop along the way.
We are currently taking part in a group exhibition at HIAP Gallery Augusta on Suomenlinna Island. The exhibition, titled Excavations, opened on June 12 and will continue until the end of August. Our participation manifests mainly in the form of weekly practice sessions and discussions, as well as intensive workshops and events.
This paragraph represents the local aspect of the project – it describes the events that are happening right now.