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    Project Description 2014

    We are caught in a vortex of politically, economically and environmentally precarious circumstances that are shaking the very basis of our planetary existence. The situation can be seen as a turning point that will either make us or break us: we can either continue spiraling towards the collapse of civilization or set out to reinvent our ways of being and living together.

    The BodyBuilding Project is an attempt to figure out what kind of subjectivities and relational capacities we, as beings and as a species, would need to develop in order to survive the future. It encourages us to reimagine the qualities and modes of being currently identified as human, and to begin building bodies capable of incorporating forms of knowledge and existence that are beyond our immediate experience and understanding. The aim of the project is to develop a series of embodied practices that can be trained both collectively and individually and transmitted from one being to another.

    The project consists of a collaborative research process and a series of public events. The first event took place at the Baltic Circle Festival in November 2014, where we provided the public with an introduction to the general approach and a sequence of preliminary exercises that could be used to set the bodies of the future in motion. In 2015, we will set up a durational performance installation and a series of events at Galleria Augusta. The events will be a part of Frontiers in Retreat, a five-year project coordinated by HIAP.

    * * *

    The BodyBuilding Project was originally initiated in 2007, in the context of a three-week artist residency at the Watermill Center on Long Island, NY. During the residency, a highly international and interdisciplinary group of artists and art students researched and developed material in response to a first peak in the awareness of global warming. The basics of this approach were laid down in two essays self-published under the title “Enactivism: on Urgent Art for Social Climate Change” and in The BodyBuilding Project, the original research report of the project. Since then, the project’s basic premises and approach have only confirmed their relevance and urgency.

    Project Description 2014

    Project Description 2007-2008

    Salvation fitness for an endangered species; No-time-to-wait training for the muscular but bound; a Wake-up calisthenics to build strength in numbers one by one and Jump! to it.

    The BodyBuilding Project undertakes to create a participatory movement exercise in response to the world’s climate crisis. Through intensive conceptual and bodily research into themes of panic and inaction, we are working to evolve a movement form that will assist its practioners in activating their emergency response mechanisms on a voluntary basis. This form will consist of a simple, easy-to-learn movement that both symbolizes and minimally activates a salutory panic response. Its clumsy working title: “The Composure-Panic Immediate Activation Exercise”. A sort of issue-specific Tai Chi or Qi Gong, the form will function both as a regular mental/physical training exercise that can be practiced and transmitted privately, and as the basis for a participatory performance spectacle to raise awareness of the urgency of our situation and encourage people (through muscular/physiological sensation rather than words or images) to take action.

    Once the form has been developed and refined to a sufficient degree, it will be shared in an ongoing series of transmission rituals, both for its own meditative/motivational value, and as a polemical “movement meme” against inaction.

    * * *

    The BodyBuilding Project is a somatics-focused arts initiative to address the global climate crisis. Our aim is to evolve and deploy a mode of artistic address that will effectively speak urgent reason in the body’s language. Launched with a 3-week research and development residency at Robert Wilson’s Watermill Center in September 2007, we have since produced a 200 page book capturing our basic working method and materials, and at the time of this writing are commencing a second phase of development on the movement form. Working with collaborators in Berlin and Helsinki, we are currently focusing on refining the existing movement material into a highly simplified and easily transmissable movement exercise for ritual transmission.

    2006, already two years behind us, will go down in history as the year global warming became common knowledge. We were told then by the world’s leading scientists and social advocates that we had 10-15 years to reverse the trend or it would be too late. Our inability to respond with anything like the helpful panic of an organism about to save its own life shows how wide the gap really is between our rational and our bodily intelligences, and between us as individuals and the collective, species-level body we must identify with if we are to survive. Organismic, species and planetary wisdoms must be empowered to find their voice in the increasingly hysterical and groundless fray of contemporary debate. How? By a radical reenfranchisement of bodily “getting it” as the endangered substrate of knowing, planning and acting. We do not have time to talk ourselves out of world war, economic breakdown and climate failure, but we do have time for the whole symphony of tiered and reasoned reflex responses by which the human and planetary body will finally speak up on its (our own) behalf.

    BodyBuilding is an interdisciplinary arts initiative to sound a tuning note for the onset of this symphonic gut reaction. Through careful embodied analysis of our crisis condition – taking prominent sociological, psychological, and political/economic formulations into account – we will focus in on particular points of blockage and impasse precluding corrective action. Processing a particular formulation of the impasse through a series of conceptual, sensory and movement exercises, we will derive the kinaesthetic figure of the impasse, the structured dynamic of stimuli, response impulses, and response inhibitions that in case after case continues to short-circuit the salvational agency of our species-wide common sense. Inverting this figure we have the antidote of a counterfigure, the gestural key to training visceral and kinaesthetic readiness for breaking the cycle of deflations, and for opening a channel to the sea-changes latent in a disinhibited biological passion to respond.

    This figure will form the basis of a movement exercise which we will develop and prepare for transmitting to others. The transmission itself will be designed as a scalable participatory event, whereby anyone who has learned the form can pass it on to others, either individually or in groups, and either in a quiet private setting, or as a more elaborate public happening. In either case the transmission will serve the ritual function of spreading the exercise and with it the divine spark of an agitation to act.

    Project Description 2007-2008